Batch Editing 101: Processing a Whole Shoot with Style Filters and Relight

Editing one photo well is a skill. Editing fifty photos so they all look like they belong together is a different problem — and it's the one that actually determines how a shoot looks once it's published.

Pick the look once

Before touching individual photos, decide on the overall look — warm, minimal, moody, bright — and dial it in on your best shot using Style Filters. That one preset becomes the reference for everything else in the batch.

Fix lighting issues as a group

Shoots rarely have perfectly consistent lighting from start to finish. Relight rebalances harsh, dim, or mismatched lighting across a batch so a photo taken at noon and one taken at golden hour can sit on the same page without looking jarring.

Keep framing consistent

If the shoot includes product or detail shots that need to line up visually, Auto Framer applies the same centering and padding across every image in the set.

Spot-check, don't re-edit

Once the batch look and lighting are set, spot-check a handful of images rather than reviewing every single one — the consistency comes from the shared settings, not from manual tweaks to each photo.

Round out the set

Missing a shot? The Library has lifestyle and detail photography — run it through Relight to match its lighting to your batch so a borrowed image doesn't stand out.